Is the digitization of works of art in museums a curse? Or might the digitization be a blessing? by Earl of Cruise French Liner NORMANDIE backing out of her New York pier during a night sailing in 1935. Oil on canvas 15"x22" courtesy of William G. Müller , marine artist We here in Germany, we are not really in love with the modern technologies as in other countries. This when it comes to controlling - George Orwell `1884 - Big Brother is watching You´, spy cams and unasked photographies, etc. But otherwise we are as free as everybody else, the most, who share on social media their daily life. A bit crazy ... As we encountered some years ago, with the internet giant who send obscure cars through our streets for photographing each, all and everything, we went on barrikades and cried that our privacy has to be protected. But otherwise the very same internet giant is used for daily searches in the web. That is used so often, some people don´t search their pens, they ...
Over years, in my early youth, the QUEEN ELIZABETH was shaping my mind for the perfect ocean liner, despite having made my first experiences with a liner onboard the HANSEATIC (1), ex EMPRESS OF SCOTLAND, ex EMPRESS OF JAPAN. When leaning at the rail of HANSEATIC entering the port, my eyes where every where and I wished to by a camera, I took all in. And when seeing the QUEEN ELIZABETH with my own eyes, the nice behaving young boy turned into a tomboy, that my grandmére was no longer able to tame ... I did draw quite a lot of looks, back then. I found, while on research, this article and thought it interesting publishing in my blog: written and published by John Sheperd at liverpoolships.org editing and comments by Earl of Cruise I ( John Shepard ) joined the CUNARD LINE in March 1962 as an Assistant Purser and sailed the QUEEN ELIZABETH throughout that year, before transferring to the Liverpool-based CARINTHIA in November, where I remained as Crew Purser for the next five...